Zen Stone Balance

The end of the old year and the beginning of a new year always makes me want to turn inward and spend some quiet, quality time in introspection. I don’t believe in resolutions, yet every year I focus on creating an intention or two to focus on throughout the year. This intention helps me maintain my motivation, inspiration, and to keep on track towards my true north star of following my heart and dreams (goals).

Still in the midst of a global pandemic, I’ve really been feeling the need for more peace, calm, and stillness in my life. Inspired by a generous free art class offering from StudioWorks, I completed a class in painting stones, which was the jumping off point for the meditative process of stenciling each stone with intentions, goals, and focus.

Mother Earth is my greatest inspiration, and so I created these two artworks to pay homage to both earth and sea, with mindfulness, gratitude and great intention for the coming year.

Full image of the completed "Zen Stone Balance" artwork. A balanced pyramid of rocks resting at different angles. The colors are blues, greens, turquoise and browns. Each stone is stenciled with a pattern of intention.
“Zen Stone Balance”, 11″ x 7″ on watercolor paper (unframed).
Image of the fully completed "Mother Nature" artwork in earthy tones of browns, greens, and yellows. This artwork features beautiful rub on transfers from 49 & market in addition to the beautiful ColorSparx deeply pigmented watercolor powders and stenciled leaves.
“Mother Nature”, 11″ x 7″ on watercolor paper (unframed).

Want to learn more about the process of how I went about creating these beautiful artworks? Hop on over the The Crafter’s Workshop Blog and read my blog post tutorial!

No time to read? No worries, I’ve got you covered. Check out my quick fly-by process video (1:05 min).

Don’t forget to hop on over and follow my most up to date works in progress and art adventures over on my Instagram account!

Pet Portraits Tutorial

Ludo Lederhosen

Come and meet my latest pet portrait, Ludo Lederhosen in my blog post posted today over on The Crafter’s Workshop site.

Ludo Lederhosen fly-by video (28 secs)

Fall Splendor Wreath

Hi there! Have you seen my latest post over on The Crafter’s Workshop blog today? It’s all about this gorgeous fall wreath assemblage artwork and how I created it using turkey feathers and watercolors paired with faux botanicals and wooden beads.

Hop on over to my blog post and check it out!

Full image of the completed Fall Splendor wreath.

Or watch a quick fly-by video in 33 seconds!

Fall Splendor Wreath Fly-By video on my YouTube Channel.


Handmade Journal


Hello! Check out my newest post over on The Crafter’s Workshop Blog today, featuring my latest creation: A double-sided, midori-style traveler’s notebook. I just love the flexible functionality of these journals, which allow you to switch and change the content out whenever you like!

Handmade Journal 8 3/4″ x 4 1/2″ – Midori-style traveler’s notebook
The outside covers of the double-sided handmade journal.
This journal contains the options for three inserts or less.

In a hurry and don’t have time to read a whole blog post? No worries, I’ve got you covered! Simply hop on over to my @TealHareCreations YouTube Channel and watch the 1:04 minute fly-by process video!

I’ve got a bold ask to make. I’m really trying to grow my following on my social media accounts, but I can’t do that alone. Would you be willing to help me by sharing some of my posts or telling your friends to follow me? If you are, thanks ever so much! Here’s the list of all my accounts to make it easy for you!

My Website and occasional blog posts: Teal Hare Creations
My YouTube Channel with fly-by process and tutorial videos: YouTube Channel
My Instagram account where I post my daily adventures, sneak peeks, and works in progress: Instagram
My Pinterest Boards – Join me and my 1.5K followers weekly for inspiration! Pinterest
My blog posts over on The Crafter’s Workshop Blog (every other week)

Pet Portraits Tutorial

Meet Winnie…

Did you get to meet Winnie yet? If you’re a cat lover or an animal lover, head over to my latest blog post on The Crafter’s Workshop Blog.

In this blog post, I walk you through the process of how I created this tribute pet portrait for my best friend Cindy and her husband to hang above the mantel in her studio.

No time to read a long blog post? No worries, I’ve got you covered. Click this link to hop on over to my YouTube Channel and watch this short process and fly-by video I created.

As always, thanks ever so much for following me, it truly means the world to me. Have a hoppy day and happy creating!

Best wishes,



Steampunk Grungy Lightbulb


Hello! How are you doing? I’ve been crazy busy lately with many happenings in my art world. All good, of course.

Today, I have a new post up over at The Crafter’s Workshop blog. It features a grungy steampunk lightbulb on a 6″ x 6″ mixed media board.

If you have time, hop on over and check it out. Click the blog link above, or the photo below, to navigate directly to the post to read it.

Don’t have time to read a post? How about less than a minute to watch a fly-by process video? Click the link to navigate to the video on my YouTube Channel, or click the YouTube embedded video, below to open and watch.

Thanks ever so much for following me, I really appreciate you! Have a wonderful and happy day.

Best wishes,


Image of the completed Steampunk Grungy Lightbulb artwork, mixed media artwork.

Feather Book

Close up image of the Feather Book laying open at the middle page on my work surface. The page displays a die cut stag and leaves. The hand stitching can barely be seen in the middle of the page. It's so pretty!
Feather Book created by Michaela Butterworth, Teal Hare Creations.

Hi there! Did you happen to catch my latest post that’s up over on The Crafter’s Workshop Blog?

If reading’s not your thing, time is of the essence, or you just really prefer to watch videos, then I’ve got you covered! Hop on over to my YouTube channel and watch the 1:04 min video.

Many thanks for hopping by and checking my work out today! Please come back soon.

Happy day, dear friends.


Frisket & stencils background

Check out my new blog post today over on The Crafters Workshop Blog! What is frisket, and how do I use it? How did I use it with stencils to create this amazing multi-layered background? Click the link to read step-by-step instructions. Let me know if you have any questions or comments via my Contact Me page on this website (Instagram messaging). Happy creating!

Frisket and Stencils Background
Watch my fly-by process video! (51 seconds)

Stencil Butter Finger Painting Background


Close up image of the completed stencil butter background painted using my fingers!
Close up image showing the finger painted stencil butters background.

Hello! Recently, we had a TCW Design Team meeting where our wonderful leader, Jaime, showed us a painting she did using stencil butters with her fingers. I wanted to use the same technique using stencils to see if it would work, and it sure does! Just be sure to go slow so that you don’t accidentally nip yourself on a stencil edge (like a paper cut, owie!).

The Crafter’s Workshop provided me with some product to create this project. The opinions I share are solely my own.

I started out using our Colorsparx powders in my favorite cool colors of turquoise, cerulean blue, lime green, and chartreuse, with the TCW932 Peruvian Lily stencil and our water spritz bottle. I lay the stencil down first, sprinkle a tiny bit of the powders over the stencil, then spritz with the water bottle. It’s great to leave it dry naturally if you can, because you get an amazing stenciled effect on the paper! You’ll notice I left a towel under the page to catch the run off and to protect my work surface. Be aware that it may also splash as you spritz, so cover anything around your work that you don’t want to get color on. For this project, I’m working on watercolor paper (300 gsm/140 lbs) hot pressed, smooth paper.

Close up image showing the Peruvian Lilies stencil with cool colored Colorsparx powders activated with water.
TCW932 Peruvian Lily stencil with cool colored Colorsparx powders, spritzed with spritz bottle.

Next come the stencil butters and finger painting. These butters are creamy, brightly colored, and so easy to use (but not edible, so please do not eat them!). I used the TCW924 Lush Petals stencil with the cool colored stencil butters in turquoise, ocean blue, terre verte green, and lime green. I love using stencil butters over ColorSparx powders because the stencil butters reactivate the ColorSparx powders in places, and create an even greater range of color variation in the background. I also love to layer different stencils to build up layers of pattern and depth for greater visual contrast and more interest.

Close up image showing the stenciled butters through the Lush Petals stencil, over the top of the dried Colorsparx powders.
Close up image showing stencil butters applied over the top of the ColorSparx powders.

I don’t know about you, but for me, finger painting is messy fun that reminds me of my childhood art days. I love to spread the stencil butters around with my fingers because they blend so easily together to make wonderful shades of the colors I’m using! Please, try it for yourself and play. Of course, if you don’t like getting your hands dirty, please feel free to use our plastic palette knife to apply the stencil butters instead of your fingers.

Image showing the completed stencil butters finger painted onto the page through the Lush Petals stencil.
Image showing the finger painted stencil butters through the TCW924 Lush Petals stencil.

Now, I wanted to add some additional patterns and colors on top of the background to add pops of color for contrast and also to add some more shapes to the composition and break it up visually a little. First, I applied Crimson stencil butter through the TCW922 Ethereal stencil randomly over the background. I had some stencil butter left on my fingers, so I smeared it onto the page too!

Close up image showing the Crimson stencil butter applied through the 'x' section of the TCW922 Etheral stencil.
TCW9069 Crimson stencil butter applied through the TCW922 Ethereal stencil.

I like to add yellow to my projects, because I think yellow always makes the other colors sing. In this case, I added the TCW9067 Gamboge Stencil butter through the TCW2303 Rock Wall slimline stencil randomly in places around the work. Again, after stenciling, I smeared the excess stencil butter from my fingers randomly onto the page.

Close up image showing the Gamboge stencil butter applied through the TCW2303 Rock Wall slimline stencil.
TCW9067 Gamboge Stencil butter applied through the TCW2303 Rock Wall slimline stencil

I used a heat gun to dry the stencil butters until they became bubbly and three dimensional. I love this effect!

Close up image showing the bubbled stencil butter created with a heat gun.
I used my heat gun to dry the stencil butters until they bubbled into a 3D effect.

Last, I used some TCW9001 White Gesso through the TCW5008 Random Dots stencil for a matte finish and to make them pop against the gorgeous gloss of the stencil butters colors.

Close up image showing the white gesso dots applied randomly across the page using the TCW5008 Random Dots stencil.
TCW9001 White Gesso was used through the TCW5008 Random Dots stencil.

And here’s the finished page (in the following image) without the white gesso dots added yet. I wanted you to be able to see just the finger painted stencil butters in their own gorgeous beauty.

Close up image of the completed stencil butter background painted using my fingers!
Finger paint a fun and colorful background!

If you’d like to watch a super quick fly-by video (35 seconds) of this process, please hop on over to my YouTube Channel @TealHareCreations.

Tutorial Uncategorized

Stencil Butters

Close up image of the background that this post is going to teach you how to make.
Close up image showing the completed stenciled butters background.

Hello! Recently, I created this fabulous background using our stencil butters. For fun, I made up a bunch of postcards and mailed them to art friends to see if any of them could guess how I’d created the background. While there were a few elements guessed correctly and some pretty close guesses, no-one actually guessed the correct combination of products or techniques. Today, this post reveals the process and products I used that kept them guessing!

The Crafter’s Workshop provided me with some product to create this project. The opinions I share are solely my own.

I decided to use some dark blue textured drawing paper, TCW926 Bubble Rebound stencil, and delicate surface tape (which is less sticky than painter’s tape and less likely to tear the paper when removing). Now, the real trick with this background technique is to choose an analogous color scheme (colors next to one another on the color wheel) that matches the color of the paper that you are using. Since I chose royal blue paper, I decided to choose three cool colors to match, and white to provide contrast against the darker blue paper. I chose shades that were lighter than the paper in order to have the paper texture show up and be more visible in the end design.

Image showing Fabriano Color Drawing Paper 160 gsm, 98 lbs
Textured Paper
Image show TCW926 Bubble Rebound Stencil
TCW926 Bubble Rebound Stencil
Image showing the paper taped down over the stencil using 3M Delicate Surface tape.
3M Delicate Surface Tape
Image showing the NeoColour II water soluble wax pastely crayons (aquarelles).
Caran D’Ache NeoColor II Aquarelles (Water soluble wax pastel crayons)

For this technique, you’re going to work with the stencil under the paper. Tape the paper in place over the stencil. For the first step, I chose to work with NeoColor II water soluble, wax pastel crayons. I wanted a water soluble product so that it would react later in the process, as you’ll see. Laying the crayon almost horizontally on the paper, color random patches of each color over the entire paper. Don’t press too hard, or you’ll lose the paper texture, yet press gently enough so that you can see the edges of the stencil’s outlines on the paper, as shown in the image, below. (You might want to try a couple of practice pieces first to get the amount of pressure just right).

Close up image showing the stencil beneath the paper. A white NeoColour II crayon is laying on top of the textured paper which has had the crayons applied to it.
Close up image showing the stencil taped under the paper, and the NeoColor II crayons applied to the top of the paper.

Next it was time to apply the stencil butters. Again, I stuck within the same analogous color palette, so I chose to use the TCW9064 Turquoise stencil butter and the TCW9066 Orchid stencil butter. Using a fairly wide palette knife, I applied the orchid stencil butter randomly over the page first, immediately followed with the turquoise stencil butter randomly in other places (yet overlapping here and there so they blend a little). The trick with this technique is not to load the palette knife with too much stencil butter, don’t press hard with the palette knife, and just lightly scrape the palette knife at a 45 degree angle across the top of the paper. The stencil butter will get caught by the stencil cut out areas, showing the shapes and outlines of the stencil. It’s important that you don’t cover the paper completely, you still want to be able to see some of the Neocolor areas through and under the stencil butters in places. This is what gives the background depth and dimension. Do not wait for the stencil butters to dry!

Use a wide palette knife to apply the stencil butterrs
Use a wide palette knife to apply the stencil butters
Turquoise and Orchid stencil butters
Stencil butters – metallic, pretty, creaminess. Goes on just like buttah!
Orchid stencil butter on palette knife
Orchid Stencil butter – just look at that sheen!
The paper showing the applied stencil butters
Stencil butters applied to the paper

The next step is to use a spritz bottle to add water drops to the top of the entire paper. You want random drops in different sizes scattered across the page, not a shower or a soaking. Think of the drops as adding a new layer of design to the background. Let the water drops sit on top of the butters and paper for 2 minutes. Note: The water will activate the NeoColor II crayons, blending them where the drops have landed.

Lay a dry piece of kitchen paper towel, with the embossed design down, over the stencil butters, and the entire paper. Using your hands horizontally across the paper, very gently pat the paper towel to remove the water drops and impress the paper towel texture into the stencil butters. This creates two levels of texture, one from the water drops (where the stencil butter will lift off the paper when you remove the paper towel), and one from the paper towel embossing impression pressed into the stencil butter.

spritz bottle waiting to be applied to the page
Love this adjustable spritz bottle!
Water droplets sitting on page
Close up image showing water droplets on the page
Water droplets rested for 2 mins, about to be removed from page using paper kitchen towel
Page resting for 2 mins with water drops. Paper towel at the ready!

Your background is now complete. It is also able to be reactivated by any moisture or wet product, so keep that in mind if you want to be able to work over the top of it. You will want to apply a coat of matte or gloss gel medium to seal it. I would use either an old credit card or a silicon catalyst blade/mini scraper to apply the medium, but you’ll have to work fast and light so as not to smear or reactivate the background design! Pro Tip: Get your medium set up on the tool first, and start it on a scrap piece of paper to adjust it before applying it to the actual piece.

The finished background
Close up image showing the completed background.

If you’d like to watch a super quick fly-by video (56 seconds) of this process with captions, please hop on over to my YouTube Channel @TealHareCreations.